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Posts tagged ‘Film’

Allegories of Primitive Accumulation: On ‘Lazzaro Felice’

By Virginia Lee and Suvij Sudershan
Lazzaro Felice presents an allegorical vision of this process through the fantastical depiction of its setting and characters.

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Contents: Special commemorative issue: 100 years of Satyajit Ray – the indefinable genius (Issue 58)

Contents: Special commemorative issue: 100 years of Satyajit Ray – the indefinable genius (Issue 58)

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Contributors

Contributors

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An introduction to the special commemorative issue on the centenary of Satyajit Ray (1921-2021)

By Roshni Sengupta
This special commemorative issue of Café Dissensus attempts to understand and revisit Ray’s immense range of work – from pathbreaking films to books to the astonishingly everyman crime-busting hero he managed to make immortal – Feluda. With the focus on his genre-defying cinematic productions, the issue also brings together writings on Ray as a multi-faceted and consummate artist.

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Cinema, Ray and the Art of Adaptation

By Sharad Raj
This article chooses to remember the maestro by examining two of his brilliant cinematic adaptations, Charulata (1964) adapted from Rabindranath Tagore’s novella, Nashtonir (Broken Nest) and Mahanagar (1963) an adaptation of Abatarnika (The decay/climb down), a short story by Narendranath Mitra.

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Aesthetic enclosure and insurgent critique in Ray’s fantasy fables

By Sayandeb Chowdhury
Ray uses the fantasy form – abounding in an instinctive play of innocence, high-spirited musicality, and underdog triumph – to mount two substantial critiques about the absurdity of needless war, and the evil ministrations of fanatical totalitarianism.

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A Tale of Mind and Matter: Ray’s Search for Aestheticism within Modernity

By Sayan Chatterjee
It is unsurprising that the sensitive and creative litterateur Apu, who is a stranger to neither poverty nor death of loved ones, would find inspiration in the struggle of these writers against worldly sufferings and their eventual triumph through art.

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Ray’s Artistry and Reflection of European Neorealism in Indian Cinema

By Shambhu Nath Banerjee
The year 1955 was a turning point in the history Indian cinema as well. The whole world bowed to the craftsmanship of a young Indian director for his outstanding portrayal of rural life in black and white on the big screen. The golden rise of Satyajit Ray during the period of 1955 to 1959 gained momentum with the making of three films in a row: Pather Panchali (The Song of the Road), Aparajito (The Unvanquished, 1956), and Apur Sansar (The World of Apu, 1959).

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The politics at the heart of Satyajit Ray’s filmmaking

By Joy Sengupta
Satyajit Ray – the name elicits a nostalgia for classical narrative and aesthetics, in cineastes, across India, a sense of parochial sentimental pride in the heart of a senior Bengali bhadralok, and a reverence all round, for pioneering the Indian cinematic footprint in the global art cinema space.

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