Class, Subalternity, and Ethical Choice in Modern India
By Anupama Mohan
In this brief essay, I want to consider two films in juxtaposition: Danny Boyle’s Slumdog Millionaire and Kiran Rao’s Dhobi Ghat. Both films have something to teach us about the very nature of representation of the theme of migrancy, the difficulties and challenges that lie at the very heart of presenting in film a concise account of the incredibly complex lives of those who are marked by deracination, dispossession, and devolution, even as the art-form must struggle definitionally with its generic boundaries and spectator-ly expectations of plot, character development, song, and entertainment/edification.

