Contents – Bollywood Nationalism (Issue 30)
Guest-Editorial
Bollywood: a melting pot of nationalism(s)
Roshni Sengupta
Historical continuities
The Different Faces of Hindi Cinema: The past, present, and future
Murtaza Ali Khan
When Selfhood Meets Nationhood: Subjectivity and the New Nation in Garam Hawa
Meher Ali
Popular Hindi Cinema and the Conflictual Figure of the Mother/Nation: Radha (Mother India) and Sumithra Devi (Deewar)
Swarnavel Eswaran
Vestiges of Nehruvian Nationalism: reading Sahir Ludhianvi’s songs today
Sania Hashmi
On Cultural Nationalism
Indian Cinema and the Notion of Cultural Nationalism
Hemaadri Singh Rana
Aisa Desh Hai Mera: Bollywood’s preoccupation with North India
Pritha Mahanti and Shreya Bhowmick
Narration and Variation: traversing the ‘nation’ through Bollywood
Riti Agarwala
Appropriating the Malayali’s story to build the Punjabi hero
Elsa Mathews
Bollywood and New Nationalism
Nationalism, Cricket, and Hindi Cinema
Aasita Bali and Aditya Krishnan
Swades and New Age Nationalism
Chandni Sengupta
Interrogating class and identity
“With his working class ties and his radical plans”: the nation, memory, and the man in Agneepath (2012)
Supurna Dasgupta
Muslims: The ‘prodigal sons’ of Bollywood?
Hindu-Muslim riots in Bollywood cinema: Observations on Bombay (1995) and Firaaq (2008)
Archisman Chaudhuri
The prodigal sons of Bollywood: understanding the Kashmir conflict through Hindi cinema
Julia Szivak
Indian Muslims, Bollywood, and Neo-Nationalism
Nadira Khatun
Through the lens of Haider: (re)-reading nationalist discourses
Payel Pal
Terrorism, Nationalism, and Bollywood: Analyzing A Wednesday
Srobana Bhattacharya
Photo: Chak De! India (2007)
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